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BEETHOVEN Ludwig van

Sonate en LaM - op.47 - "Kreutzer"

Arrangé par BROWN Clive
Partition

Violon
Violon et piano

Barenreiter   -  BA10938
Cordes


An autograph fragment of the Violin Sonata op. 47 is titled, in Beethoven’s hand, “Sonata mulattica composta per il mulatto Brischdauer, gran pazzo e compositore mulattico” – meaning “Mulatto Sonata composed for the mulatto Brischdauer, great madman and mulatto composer”. The genesis of the sonata, which was to become famous under the name “Kreutzer Sonata”, is closely connected to a visit to Vienna by George Augustus Polgreen Bridgetower (1778–1860), a violinist with an Afro-Caribbean father and a European mother. In the language of that time, his descent made him a mulatto.

Beethoven was apparently deeply impressed by Bridgetower's musicality and virtuosic abilities. However, when the sonata was published in 1805, he dedicated it to Rodolphe Kreutzer under the title “Sonata per il Pianoforte ed uno violino obligato in uno stile molto concertante come d’un concerto”. The work “in the style of a concerto” is probably Beethoven’s most demanding violin sonata and since the 19th century has formed part of the core repertoire of the great violin virtuosos.

Clive Brown’s ground-breaking new edition combines a scholarly Urtext approach with the provision of a wealth of information on historical performing practice, all conveniently united in one practical edition. This edition consists of a score and two individual parts for the violin: an Urtext-part based on the scholarly-critical assessment of all sources, and an annotated part with additional information by Clive Brown based on important topics of historical techniques and practices.
In addition to a detailed preface this edition includes information on early editions of this sonata as well as historical metronome markings.

This edition is based on Clive Brown’s edition of Beethoven’s complete sonatas for violin and pianoforte with Bärenreiter (BA 9014, BA 9015, BA 9036), which was the first edition to be published with a Critical Commentary and the complete description of relevant sources.

The pivotal Performing Practice Commentary by Clive Brown and Neal Peres Da Costa is available online, supplementing information on performing practice for each Sonata and each movement in this volume. It discusses techniques of both violin and piano playing in Beethoven’s period, as well as historical contexts and advice on phrasing and technique based on the evaluation of historical editions (s.a. von Czerny, Ferdinand David, Alard, Diémer, Grützmacher, Reinecke, Brodsky, Joachim, Rosé, Halir, Kreisler etc.).


Fiche mise à jour le 03/03/2025
Une sélection des meilleures ventes pour violon, éditées chez Barenreiter

MOZART Wolfgang Amadeus
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violon et piano
21.55 €


BACH Johann Sebastian
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20.35 €


ACCOLAY Jean-Batiste
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13.80 €


SAßMANNSHAUS Egon
Früher anfanfg auf der Geige - vol.2
violon
21.55 €


VIVALDI Antonio
Concerto pour violon "Le printemps" · "Primavera" | RV269 · op.8 n°1
violon et clavier (clavecin)
4.20 €


SPECKERT George A.
Folk
2 violons
18.60 €


SASSMANNSHAUS Egon
Früher anfang auf der geige - vol.3 - violon
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21.55 €


DIVERS AUTEURS
Advanced violin duos
2 violons
26.35 €


MOZART Wolfgang Amadeus
Einzelsätze für violine
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23.95 €


BERIOT Charles-Auguste de
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19.15 €


JANACEK Leos
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23.63 €


MOZART Wolfgang Amadeus
Sämtliche Werke für Klavier und Violine - vol.2
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JANACEK Leos
Oeuvres pour violon et piano
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26.35 €


DIVERS AUTEURS
Introduction to the great composers
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BRAHMS Johannes
Sonate en LaM - op.100
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16.75 €


SEVCIK Otakar
School of bowing technique - op.2 - vol.3
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11.95 €


DVORAK Anton
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BEETHOVEN Ludwig van
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SEVCIK Otakar
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MOZART Wolfgang Amadeus
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